Friday, November 3, 2017

WSPC'S SESSION NOTES NOVEMBER 2017

FROM THE DJ'S STUDIO DESK:

At this time, especially within a year so precariously on the edge, I am compelled to give thanks.

First and foremost, I am thankful for my family, my wife, my parents, my cats--I only wish for their continued health and security, for the world would not be the same without any one of them, a reality that I know is forthcoming but for now, I am thankful to say that they are all remaining as strong as possible within my life.

With regards to the subject matter of this blogsite,  I remain forever thankful to music itself, the art form that has communicated with me so powerfully and beautifully for the entirety of my life ad it continues to sustain, soothe, and enrapture me ever still. May this feeling never leave me.

I give thanks to my dear friend Steve Manley, Dave Zero as well as the respective staff and proprietors of Madison's record store community which consists of B-Side Records, Mad City Music Exchange, Strictly Discs, and Sugar Shack. All of these people and places have allowed me to continue the journey of musical discoveries that I have loved so very much for so much of my life. None of these places exist as mere "stores" to me. These are establishments of community and connection that are essential to the sharing, exposure and even the survival of music itself. No hyperbole. It's simply the truth as I see and feel it.

I give thanks to the Chicago radio stations and DJs that were instrumental with my life long love of music combined with healthy fantasies of life on the other side of the radio speakers, fantasies that came true during my college radio years with WLHA-FM.

With that, I give thanks to Dave Black and the DJ staff and crew of Madison's WSUM-FM, the beautiful phoenix that rose valiantly from the ashes of WLHA, for all of their support and willingness to host the "WLHA Resurrection/Reunion Weekends" for five years running at this time. These glorious weekends have not only served as a means to return to the radio airwaves as an adult and to provide a link from the past to the present, while also acquainting myself with like-minded spirits who served as DJs long before the possibilities ever occurred themselves to me.

These weekends, so lovingly organized by 'LHA veterans Kevin Peckham and Kevin Ruppert, have afforded me, best of all, to re-connect with three extremely special women, all of whom I connected with due to our shared experiences at WLHA: Kelly Klaschus, Sue Grass and Lisa Grueneberg. So thankful and blessed am I to have found my life intertwined with theirs, initially forged through a love of music and radio. They are essential members of my personal tribe.

Speaking of which, I must give thanks to the local DJs that have, and will always, continue to inspire me, as they all weave radio spells that make me want to perform better and better. I salute "Freak Scene Radio" host Randy Ballwahn, "The Heavy Petting Zoo" host Grandma Cyd (whom I was thrilled to meet this year as she is quite lovely) and of course, "The Mixtape" host DJ Nightway (also, someone whom I just recently met and was just sent sky high in the process), as all of them continuously ensure that the world of radio remains creative, innovative, inviting, adventurous and inspirational.

And all of this gratitude leads me to give crucial, bottomless thanks to Lindsay Wood Davis and Tom Teuber (with whom I still need to grab that drink as he was behind the scenes of my radio development in more ways than I could have ever imagined) for allowing me to become a part of WVMO 98.7 FM-THE VOICE OF MONONA with my weekly show "Savage Radio," a program which is about to reach its 2nd anniversary on the air as well as its 100th episode.

There are no  guarantees to anything in life, especially second chances or opportunities. There was nothing written in the stars that suggested that I would have the chance to return to radio and with each episode I am able to deliver, my appreciation with being able to have the privilege of being a DJ is not lost upon me whatsoever. It has been nothing that was required to be given to me.

Opportunities presented themselves and thankfully, here I am as a member of this wonderful, low power, award winning radio station that has worldwide reach (still so unbelievable as the small-ness of the station always makes me feel that what I am doing is quite intimate and just presented to a few friends whom I know are tuning in). I am so thankful to be in the company of people like 'VMO DJs "British Invasion And Beyond" host Jim Gunderson, "Vintage Vinyl Hour" host David Cobb, "The Prog Rock Hour" host Fred Sperry, "Roulette" host DJ Dukemar and again, so many other like minded members of our distinctive tribe.

I give thanks to all of the live music venues around the city who have also worked heroically to bring another form of community and communion into reality and I also give thanks to the local artists that I have been able to meet and become befriended with over these few years. From Post Social, Dash Hounds, Disq, Kainalu, Trophy Dad, Wood Chickens, The Wilder Deitz Group, Squarewave, Bobby Hussy, David Poole, Skyline Sounds Thompson Springs, Slow Pulp, The German Art Students, Melkweed and even more, I salute ALL of you for the fearless, joyous purity of your work has made me fall in love with music all over again and again and again.

And most importantly, I am thankful for all of YOU. All of you who have visited this blogsite for three years, all of you who have listened to my radio show, all of you who just love the art and universe of music just as I do. If not for YOU, music would fade into the ether. If not for YOU...just as George Harrison once sang.

Continue to listen, to love, to appreciate, to celebrate...and as always...

PLAY LOUD!!!!!!!!!!!!!

Tuesday, October 31, 2017

WSPC PLAYLIST OCTOBER 2017

October 1, 2017
"October" performed by U2
"Juarez" performed by Tori Amos
"I Don't Remember" performed by Peter Gabriel
"Scary Monsters (And Super Creeps)" performed by David Bowie
"Tokyo Storm Warning" performed by Elvis Costello and the Attractions

"Peace Of Mind" performed by Little Dragon with Faith Evans
"Vibin' Out" performed by Fkj
"State Of The Art" (live) performed by Jim James
"Sivad" performed by Miles Davis

October 2, 2017
Live Session 2017 with Esperanza Spalding
"Sexual Revolution" performed by Macy Gray
"Stop On By" performed by Rufus featuring Chaka Khan
TOM PETTY
OCTOBER 20, 1950-OCTOBER 2, 2017
all songs performed by Tom Petty and the Heartbreakers except where indicated
"Swingin'"
"It's Good To Be King" performed by Tom Petty
"Square One" performed by Tom Petty
"Something Good Coming"
"I Forgive It All" performed by Mudcrutch

October 3, 2017
"Refugee"
"Needles And Pins" performed with Stevie Nicks
"The Apartment Song" performed by Tom Petty
"To Find A Friend" performed by Tom Petty
"Change Of Heart"
"It Ain't Nothin' To Me"
"Letting You Go"
"Scare Easy" performed by Mudcrutch
"U Get Me High"
"Tweeter and the Monkey Man" (live)

October 4, 2017
"Dreams Of Flying" performed by Mudcrutch
"Money Becomes King"
"The Golden Road" performed by Tom Petty
"Alright For Now" performed by Tom Petty
"Straight Into Darkness"
"Room At The Top"
"Wake Up Time" performed by Tom Petty

October 5, 2017
"Journey From Eden" performed by The Steve Miller Band
"Under The Skin" performed by Lindsey Buckingham
"Grey Seal" performed by Elton John
"Up All Night" performed by The Boomtown Rats
"Since I've Been Loving You" performed by Led Zeppelin

"Beverly Laurel" performed by Tame Impala
"Rhino Skin" performed by Tom Petty and the Heartbreakers

October 8, 2017
"Blade Runner (Main Titles)" performed by Vangelis
"Memories Of Green" performed by Vangelis
"Tales Of The Future" performed by Vangelis
"Tears In The Rain" performed by Benjamin Wallfisch and Hans Zimmer-WSPC PREMIERE

October 9, 2017

HAPPY 77TH BIRTHDAY TRIBUTE TO JOHN LENNON (R.I.P.)
"Going Down On Love"
"Out The Blue"
"John Sinclair"
"Well Well Well"
"#9 Dream"
"Watching The Wheels"

October 10, 2017
"It's Good To Be King" (live) performed by Tom Petty and the Heartbreakers
"Amarinthe" (live) performed by The Smashing Pumpkins with James Iha
"In The Cage/The Cinema Show/...In That Quiet Earth/Slippermen/Afterglow" (live) performed by Genesis
"Peaches En Regalia" performed by Frank Zappa

October 13, 2017
"Weekend Woman" performed by Weezer-WSPC PREMIERE
"Running To Stand Still" (acoustic) performed by The Edge
"Driving Rain" performed by Paul McCartney
"Deep Wide And Tall" performed by Aztec Camera
"Here She Comes Again" performed by Chris Hillman-WSPC PREMIERE

"I Love You But I'm Lost" performed by Tears For Fears-WSPC PREMIERE
"John Carpenter's Halloween" performed by Trent Reznor and Atticus Ross-WSPC PREMIERE

October 14, 2017
"Sense Of Doubt/Moss Garden/Neukoln" performed by David Bowie

"Need You Tonight/Mediate" performed by INXS
"We'll Be Together" performed by Sting
"The Perfect Girl" performed by The Cure
"Pump Up The Volume" performed by MARRS
"Heart And Soul" performed by T'Pau

October 15, 2017
"Lost In Your Eyes" performed by Mudcrutch
"You" performed by The Rebels
"Long Distance Winner" performed by Buckingham Nicks

October 16, 2017
"Sins Of My Youth" performed by Tom Petty and the Heartbreakers
"Hello It's Me" performed by Nazz
"Facing The Wind" performed by The Fixx
"Where Are We Going?" performed by Howard Jones
"Diamond Dust" performed by Jeff Beck

October 17, 2017
"The Doomed" performed by A Perfect Circle-WSPC PREMIERE

"Broken Anyway" performed by Ryan Adams-WSPC PREMIERE
"Shine On You Crazy Diamond" performed by Pink Floyd

October 19, 2017
"Don't Do Me Like That" performed by Tom Petty and the Heartbreakers
"Indian Summer" performed by Joe Walsh
"Midnite Cruiser" performed by Steely Dan
"Blue Motel Room" performed by Joni Mitchell
"Venus De Milo" performed by D'Angelo

October 20, 2017
TOM PETTY'S BIRTHDAY TRIBUTE (R.I.P.)
all songs performed by Tom Petty and the Heartbreakers
"Rockin' Around (With You)"
"Billy The Kid"
'I Should Have Known It"
"Change The Locks"
"Peace In L.A."
"So You Want To Be A Rock N' Roll Star" (live)

October 21, 2017
"Daily Nightly" performed  by The Monkees
"Monica" performed by The Kinks
"Monica" performed by Tortoise
"I Wish I Knew How" performed by Nina Simone
"In The Hall Of The Mountain King" composed by Grieg

October 23, 2017
"Drive" performed by R.E.M.
"Hurdy Gurdy Man" performed by Donovan
"No Quarter" performed by Led Zeppelin
"New Grass" performed by Talk Talk
"Inside Job" performed by Pearl Jam

October 24, 2017
"Zombies" performed by Childish Gambino

HAPPY 22ND ANNIVERSARY TO "MELLON COLLIE AND THE INFINITE SADNESS" BY THE SMASHING PUMPKINS
"Thru The Eyes Of Ruby"
"Here Is No Why"
"Muzzle"
"Galapogos"
"By Starlight"

October 25, 2017
"Thriller" performed by Michael Jackson

"Halloweenhead" performed by Ryan Adams
"Burn The Witch" performed by Radiohead
"Ballad Of Dwight Fry" performed by Alice Cooper
"Witch Hunt" performed by Rush
"Asylum" performed by Supertramp

October 26, 2017
"The Punk And The Godfather" performed by The Who
"Meadows" performed by Joe Walsh
"Future Vision" performed by Jonathan Wilson
"Wait For Her" performed by Roger Waters-WSPC PREMIERE
"Beautiful Blue" performed by Mudcrutch

 October 27, 2017
"Automatic" performed by Prince
"Miss Understood" performed by The Family
"I'm In Love" performed by Bobby Womack
"I Forgot To Be Your Lover" performed by William Bell
"You've Got It Bad Girl" performed by Stevie Wonder

October 28, 2017
"Luna" performed by Tom Petty and the Heartbreakers
"I Scare Myself" performed by Thomas Dolby
"Zombie" performed by The Cranberries
"Catwalk" performed by Siouxsie and the Banshees
"Evil Woman" performed by Electric Light Orchestra

October 29, 2017
"Somebody's Watching Me" performed by Rockwell
"Hard Woman" performed by Mick Jagger
"Girl On The Moon" performed by Foreigner
"Goodnight Moon" performed by Shivaree
"I Burn For You" (live) performed by Sting

October 30, 2017
ANTOINE DOMINIQUE DOMINO JR. a.k.a. FATS DOMINO
 FEBRUARY 26, 1928-OCTOBER 24, 2017
"Blue Monday"
"I Hear You Knocking"
"The Fat Man" 
"Lady Madonna"
"Kansas City"
"It Keeps Raining"
"Let The Four Winds Blow"

October 31, 2017
"This Is Halloween" composed by Danny Elfman from "The Nightmare Before Christmas"
"Glass And The Ghost Children" performed by The Smashing Pumpkins
"Bermuda Triangle" performed by Fleetwood Mac
"Drowning Witch" performed by Frank Zappa
"Everyday Is Halloween" performed by Ministry

Sunday, October 29, 2017

SAVAGE RADIO PLAYLISTS FOR OCTOBER 2017: WVMO 98.7 FM-THE VOICE OF MONONA

SAVAGE RADIO EPISODE #94: "A TRIBUTE TO TOM PETTY"-OCTOBER 4, 2017
all songs performed by Tom Petty and the Heartbreakers
except where indicated
1. "Somewhere Under Heaven" performed by Tom Petty
2. "Listen To Her Heart"
3. "First Flight Of Freedom"
4. "Love Is A Long Road" performed by Tom Petty
5. "We Stand A Chance"
6. "It'll All Work Out"
7. "Echo"
8. "Here Comes My Girl"
9. "Two Gunslingers"
10."The Waiting"

SAVAGE RADIO EPISODE #95: "1987-HAPPY 30TH ANNIVERSARY!!"-OCTOBER 11, 2017
1. "True Faith" performed by New Order
2. "Finest Worksong" performed by R.E.M.
3. "The Ledge" performed by The Replacements
4. "Spanish Eyes" performed by U2
5. "Panic" performed by The Smiths
6. "You're My Drug" performed by The Dukes Of Stratosphear
7. "Tiny Daggers" performed by INXS
8. "Holly Like Ivy" performed by Pete Townshend
9. "853-5937" performed by Squeeze
10."Hot Thing" performed by Prince
11."Armageddon it" performed by Def Leppard

SAVAGE RADIO EPISODE #96-OCTOBER 18, 2017
1. "Everything In Its Right Place" performed by Radiohead
2. "The Mountain Will Fall" performed by DJ Shadow
3. ""Daddy's Gonna Pay For Your Crashed Car" performed by U2
4. "Airwaves" performed by Thomas Dolby
5. "The Dream Is Always The Same" performed by Tangerine Dream
6. "Hatfield 1980" performed by Everything But The Girl
7. "Evidence Of Autumn" performed by Genesis
8. "Kick It In" performed by Simple Minds
9. "Big Stripey Lie" performed by Kate Bush
10."Love" performed by The Dream Academy

SAVAGE RADIO EPISODE #97: "HAPPY HALLOWEEN"-OCTOBER 25, 2017
1. "Scared" performed by John Lennon
2. "Ghosts" performed by Michael Jackson
3. "Blue Eyed Hexe" performed by Pixies
4. "Nothing To Fear (But Fear Itself)" performed by Oingo Boingo
5. "Halloween" performed by Kirsty MacColl
6. "Wicked Annabella" performed by The Kinks
7. "Dolly Dagger" performed by Jimi Hendrix (with the Ghetto Fighters)
8. "Tiny Demons" performed by Todd Rundgren
9. "We Are The Dead" performed by David Bowie
10."Almost Human" performed by KISS
11."Scarecrow People" performed by XTC
12."Season Of The Witch" performed by Donovan

NOW PLAYING IN THE SAVAGE JUKEBOX OCTOBER 2017

This is an unprecedented time for Synesthesia as the death of Tom Petty has affected me even more deeply than I could have anticipated. So, for this month, and with very minor exceptions, the entirely of my listening this month has been the catalog of this treasured artist, including the following:

"TOM PETTY AND THE HEARTBREAKERS"
Released November 9, 1976
"YOU'RE GONNA GET IT!"
Released May 2, 1978
"DAMN THE TORPEDOES"
Released October 19, 1979
"HARD PROMISES"
Released May 5, 1981
"WILDFLOWERS"
Released November 1, 1994
"SONGS AND MUSIC FROM 'SHE'S THE ONE'"
Released August 6, 1996
"ECHO"
Released April 13, 1999
"THE LAST DJ"
Released October 8, 2002
"THE LIVE ANTHOLOGY"
Released November 23, 2009
"HYPNOTIC EYE"
Released July 29, 2014

Friday, October 13, 2017

WORDS FOR TOM PETTY


My heart is broken all over again.

It was during the late afternoon of Monday, October 2nd when I first heard the news. I was just ten minutes or so from the end of my day at work when a co-worker, who was just about to leave for the day herself, quickly entered my classroom with her smartphone in her hand and a look of shock and disbelief upon her face. "Tom Petty died!" she said.
     "What?!"I asked, quite certain that I had completely misheard her.
     "Tom Petty had a massive heart attack and died. They just took him off life support."
     "What?!"
In that moment, I heard my voice crack and tears rapidly appeared in my eyes. As I was indeed still in my classroom full of three year olds, I knew that I had to keep myself together. But still, I felt as if I had been punched in the face for how much this news was painful to me.

After leaving the classroom for the day, I stepped into the Teacher's Lounge to check the staff computer for any news. At that point, whatever stories I saw on search engine  home pages all listed Tom Petty as remaining on life support while throughout my Facebook feed, friends were already voicing their words of shock and sadness at the news of a musical giant now fallen.

Of course, by that evening, we were all up to speed. The news of Tom Petty's death had been misreported yet the news of the heart attack and his status on life support remained true. "Clinging to life," read one report while "Likely not to survive the night" read another. And even still, I hoped.

I held out hope that perhaps maybe Tom Petty would pull through much like how Joni Mitchell seemed to be ready to depart this mortal coil after suffering a brain aneurysm in 2015 yet she emerged from her illness, has partaken in physical therapy to regain strength, she has returned to painting and has even made a few public appearances, most notably, the pre-Grammy Awards event where she was escorted by none other than Writer/Director/Journalist Cameron Crowe.  Because of Mitchell's experience, I hoped for Tom Petty. I hoped that he would somehow emerge from this tragedy and maybe...just maybe...he would be able to rise again to write and sing once more. I knew that it would be unlikely but even so, I listened to his music that night as a sort of a vigil. I knew that the night just may spell the end for Petty...but I continued to hope.

The following morning, the news was confirmed. Tom Petty, just a hair over one week from completing his 40th anniversary concert tour with The Heartbreakers, suffered cardiac arrest at his home in Malibu. He was unable to be revived by the UCLA Medical Center team and at 8:40 p.m., surrounded by his family, friends and bandmates, Tom Petty died.
Dear readers and listeners, while I realize and understand that news of this sort will only become more frequent as we all age, it does not make the news any easier to endure, especially when it comes to saying goodbye to one's heroes. After the passings of David Bowie, Kevin Junior, Phife Dawg, Glenn Frey, my beloved Prince among others last year plus Chris Cornell this year, the cycle of pain and healing from experiencing these losses has not made me any more used to the process. In fact, it just gets more painful each time. The death of Tom Petty is especially painful for me, and I am certain for many of you, because he was a figure that really felt to exist as being one of us. Nothing interstellar like Bowie or almost unknowable like Prince. But, an everyman, a hard working ordinary individual who just happened to be blessed with an unbelievably extraordinary gift.

Tom Petty always felt to be as if he were just one of us perhaps because all of the music which he created, the music that formulated his legacy, the music that has indeed become the soundtrack for countless lives over several generations, was music that was essentially about us all of the time. Despite his wealth and fame, Tom Petty was an artist that truly never forgot his roots because those very roots gave birth to the full contents of his entire discography. As he wrote and sang to and about us, maybe all the while, he wrote and sang of himself, about his life journey, experiences, trials, tribulations, defeats and successes and the willingness to keep pushing forwards relentlessly, passionately, and triumphantly, therefore offering inspiration to anyone whoever chose to listen to his work to try and do the same.

How many of us have loved and latched onto a song like "I Won't Back Down"? That song is entirely characteristic of Petty's musical aesthetic. Defiant, direct, deceptively simple and filled end-to-end with golden melodies, harmonies, punchy rock and roll power all congealed into a perfect pop song.

Yet, through the lyrics, we arrive with the very messages he sang about from the very beginning of his career all the way to the end of his life for Tom Petty's music in completion were all songs about the various states of resilience, endurance, tenacity, integrity, remaining steadfast and true and with all of the myriad of references to flight and freedom, Tom Petty wrote and sang of the possibilities, realities, successes and failures of reaching transcendence and deliverance. In doing so, all of his music was superbly built to last, to withstand the superior tests of time and aging as his work would shapeshift meanings and effects for any listener at any stage of life based upon one's circumstances. Tom Petty's music is indeed that malleable and simultaneously rock solid.
I've said it before and I will say it again and again, I find it quite easy to see how one could possibly have taken Tom Petty for granted. I know that I did and I realized that unfortunate fact upon watching Director Peter Bogdanovich's wonderful "Runnin' Down A Dream" (2007), a compulsively watchable 4 hour documentary about the  history and (then) on-going legacy of Tom Petty and the Heartbreakers. By film's end, as enraptured as I was with all that I had watched, I also had felt ashamed. Ashamed that I could have ever seen Tom Petty as not being precisely what he and his bandmates actually were: rock and roll royalty.

And they had existed as such from the very start.
My introduction to the musical world of Tom Petty arrived sometime in 1979, when I was 10 years old and obsessively listened to WLS-AM radio as I grew up in Chicago. I do not remember exactly when I first heard it, but when I did hear "Don't Do Me Like That" for the very first time, I LOVED it instantly.

The completely infectious melody, the rhythmic pulse and swirling dynamics of keyboardist Benmont Tench's piano and organ, the punch of those fat, dry drums courtesy of the great Stan Lynch, the six stringed glory of right-hand man Mike Campbell's guitars and the rock steady bass work of Ron Blair. And directly out in front starred the soulful, strutting snarl of Tom Petty's vocals, which magically led the band that more than confidently bridged the gaps between soul, vintage rock and roll and the (then) more dangerous sounding punk and (also then) emerging New Wave scene. It was a song that felt like a classic even though (at that time) it was brand new and to this day, nearly 40 years later, the song still feels so vibrantly fresh out of the box!

And so it was for me and the music of Tom Petty and the Heartbreakers from that point onwards. For so many of you that have been reeling from this news as much as I have been, the phrase "soundtrack of my life" has undoubtedly been utilized regarding the fullness of Petty's work and our relationship with it. Again, after watching Bogdonavich's documentary, the reality of that phrase became so crystallized in its clarity for me regarding my own life because from the age of 10, Tom Petty has remained not only so gifted and dependable, he has remained ever present through all of my life phases, filling them with song after song after song that were the equal of "Don't Do Me Like That" in terms of quality and rock and roll power, so much so that I now am unable to imagine my life without having heard and loved Petty's music.
I ask you at this time to just look backwards into your own lives just as I am about to do the very same with mine for you and the purposes of this tribute. In childhood, I was graced with having nothing less than "Refugee" and "The Waiting."

Upon graduating to FM radio, by early adolescence and throughout my high school years, "American Girl," "Breakdown," "I Need To Know," Listen To Her Heart," "Insider," "Even The Losers," "Shadow Of A Doubt (A Complex Kid)," "Letting You Go," "A Woman In Love (It's Not Me)," "You Got Lucky," "Change Of Heat," "Straight Into Darkness," "Rebels," "Don't Come Around Here No More," "Jammin' Me," the outstanding killer duet with Stevie Nicks "Stop Dragging My Heart Around," and to this day, my number one favorite Tom Petty and the Heartbreakers song "Here Comes My Girl," all became permanent fixtures within my life jukebox.  

By college, "I Won't Back Down," "Free Fallin'," and "Runnin' Down A Dream" became staples.
And immediately after graduating and just beginning to dip my toe into an adult, post-collegiate world (literally two days after graduating), "Learning To Fly" entered my life like the most beautifully rendered beacon, lighting my way to my future.

Where were you when you heard those songs? Those incredible, downright indestructible songs that are as much products of their respective times while also completely transcending those times to become timeless works of art. How could I ever have taken him for granted? Maybe it was because in addition to his sheer dependability and rock solid quality control, Tom Petty just made everything look to be so easy.
Please take a moment and just think about the legacy of Tom Petty. Through his material with The Heartbreakers, his pre-Heartbreakers band Mudcrutch as well as a solo artist, here is a man whose musical output was a complete amalgamation of roadhouse bar band rough and tumble with rock and roll stadium glory. It combined vintage 1950's era rock, 1960's psychedelia by way of The Beatles and The Byrds while always remaining up to the minute in its currency, even finding ways to dabble in synthesizers and drum machines without betraying the purity of the song's core. It mixed horn driven R&B, down in the gutter blues, ragged punk rock, glitzy New Wave, pensive folk music and dusty road country music while constantly and proudly re-affirming the Southern roots of Petty's hometown of Gainesvlle, Florida.

He superbly adapted to all of the changes of the times, even becoming one of the very best artists of the music video era without sacrificing any sense of of grit and integrity. The hallucinatory video for "Don't Come Around Here No More" still gives me the creeps even after 30 years. The playfully morbid humor of the outstanding "Mary Jane's Last Dance" and the sheer storytelling power of the Johnny Depp starring "Into The Great Wide Open" still feel like vivid mini-movies.

Tom Petty earned the respect of his heroes with aplomb as he and the Heartbreakers backed the likes of Bob Dylan for a celebrated tour in 1987, recorded with Johnny Cash near the end of his life for his revered "Unchained" album (released November 5, 1996) and of course, joined up with Dylan, George Harrison, Roy Orbison and Jeff Lynne to formulate The Traveling Wilburys, making him fan and peer all in one.

Through the humble nature of how he presented himself to the often breeziness of his music, it would have been so easy for all of us to think and feel that Petty could dash off song after song in his sleep and not even break a sweat. But, that specific quality showcases precisely just how difficult the level of songwriting Tom Petty constantly and consistently displayed is reached in actuality. To reach his level takes undeniable, strenuously hard work which Tom Petty clearly displayed through the entirety of his career and no wonder he made it look so easy. The man NEVER let us see him sweat!

And by the early 1990's, after twenty years in the game, at a point when Tom Petty already had nothing more to prove to anyone, he only continue to rise. The man inexplicably got even better!!!
 
Over the second half of Tom Petty's career, he released material which struck powerfully deeper chords with me as they all seemed to eschew any surrounding musical trends or pop cultural distractions and really just got down to the business of crafting material that was sounded even more personal, determined, and distinctly individualistic, all the while earning even greater critical praise and unending fan devotion through albums that sparkled with supreme soul.
"Wildflowers" (released November 1, 1994), his second solo album, remains my #1 favorite release from Tom Petty. The musical diversity and expansiveness of the collection felt like a great double album of the past made so perfectly present (and to think there is still more in the can from this era just waiting to be released). It is an album of pastoral, succulent warmth as the title track, "Only A Broken Heart," and "Don't Fade On Me" stood shoulder to shoulder with more orchestrated epics like the stunning closing track "Wake Up Time" and the sunshine daydreams of "It's Good To Be King," as well as the barn burners of "Honey Bee," "You Wreck Me" and most certainly, the rustic yet anthemic "You Don't Know How It Feels." Just an album of blinding beauty.  
The controversial "Echo" (released April 13, 1999), was not only Petty and the Heartbreakers darkest affair, it is easily my second favorite Petty release, even though Petty himself rarely spoke of the album due to his personal behind-the-scenes trauma (a painful divorce, self imposed exile in the woods, reported substance abuse issues) and their influences upon the strained recording sessions and the songs themselves. 

With the shattering Dylan-esque title track as the album's centerpiece, "Echo" found Petty at his most inscrutable and even arcane as the directness of his songwriting became cloudy, shaded, muddled and with identities and subjects purposefully hidden from view. It felt like an album where music clearly was the source of healing and even therapy as he created a collection of songs, while not explicit, seemed to say everything that needed or even could be said by him at that time. And frankly, it's all there right in the song titles: "Counting On You," "Won't Last Long," "This One's For Me," "No More," "About To Give Out" and the self-lacerating, brutally ironic "Room At The Top." For a man who built a career of singing songs of hard fought and earned perseverance and freedom, as depicted in "Free Girl Now," it was the work of an artist who at that time may have felt like "Billy The Kid" and he was going down "Swingin'." A powerful, painful artistic statement, quite possibly his version of Dylan's "Blood On The Tracks" (released January 20, 1975).  
With "The Last DJ" (released October 8, 2002), Petty and the Heartbreakers, created their first rock and roll concept album and it was an embittered one indeed as he took on nothing less than the music industry itself, seemingly biting the hands that have fed him and his band for so long. Yet, I think that concept is sort of a Trojan horse even with mournful, meditative selections like the cinematic "Money Becomes King" and "Dreamville" and the grinding, vicious satire of "Joe" (Petty's vocals are just this close to equaling the venom of Roger Waters) are all positioned at the album's opening stretches. 

What I feel Petty was really lamenting was the state of America itself as he utilized the music industry as a metaphor to explore the social and spiritual decay of a nation and how it has all sadly trickled down to our children who are unwitting recipients of our own greed, avarice and lack of compassion. With "When A Kid Goes Bad" and "Lost Children," Petty's anger and ache come to the forefront as he truly, wisely questions what kind of a world are we leaving behind. Yet, with the anthemic Beatle-esque fireworks of "Can't Stop The Sun," hope remains vigilant. 
Petty's third and final solo album "Highway Companion" (released July 25, 2006) found the man at his most stripped down and reflective. Working solely with Jeff Lynne and Mike Campbell and handling the lion's share of the instruments himself (including the drums!), the album, featuring the crystalline "Square One," "Down South," and "This Old Town," among others utilized the imagery of travel and the open road as an elegant meditation on aging, memories and mortality.
"Mojo" (released June 15, 2010), the penultimate studio album recorded with the Heartbreakers found the band at their most unleashed with a work that found then in celebration with their love of the blues. With clean, crisp, no frills production and Petty and his bandmates performing in white hot symmetry, style and stellar musicianship, "Mojo" is an unapologetically defiant move in the era of Auto-Tune as well as a richly presented love letter to the music that formed the basis of rock and roll.

All of that plus two Mudcrutch albums, a film score in Writer/Director/Actor Edward Burns' working class romantic comedy "She's The One" (released April 6, 1996), an absolutely seamless and splendidly executed 4 disc boxed set with "The Live Anthology" (released November 23, 2009) and "Hypnotic Eye" (released July 29, 2014), the gritty (and so sadly final) statement from the Heartbreakers, I am still stunned that I could ever take an artist of this stature and accomplishment for granted. Tom Petty was, and will forever be, one of the GREATS...and the GREATS even knew it themselves!!! 

It may have always looked easy to all of us but the work he placed into proving  his stature again and again is staggering. This is a figure that never at any point released one bad album. In fact, some write-ups after Petty's passing have proclaimed that he never, ever released even one bad song.

And now, with Tom Petty's death, I am inclined to agree. I am inclined to believe. For the music of Tom Petty is as timeless as it is indestructible.
With nearly two weeks passed since Tom Petty's death, I have listened to his music more than ever, as these things tend to occur. And you know, even with his determination and artistry, I think what quite possibly has endeared him to me for so much of my live, and maybe for all of yours, is his humility. 

Yes, he was a rock star of the first degree. Yes, he was an uncommonly gifted songwriter.  Yes, he was world traveled to levels many of us could only fantasize about. But through it all, it really felt, even after all of the fame, fortune, accolades, hero worship and an induction into the Rock and Roll Hall Of Fame in 2002, Tom Petty was forever the kid with the smokin'-in-the-boys-room smirk from Gainesville, Florida. He seemed approachable somehow. He seemed to be an everyman. Therefore, he always felt to be just one of us.

Maybe that is a huge reason why his death has been so painful, despite its suddenness. It felt as if Tom Petty was our friend. A friend who was upon the exact same existential life journey as every one of us but he was just in the position to share his songs, characters and stories with the world. He seemed to step right alongside with us, sharing his tales, his woes, his life lessons like the finest,  most gracious storyteller all along the way. His language was clear and poetic. His economy of words ever inviting and identifiable. There was no Dylan-esque mystery to his public persona or Springsteen-esque epic-ness either. He seemed to signify an equal amount of comfort sitting at a bar stool or tending the land of his home or on stage in front of 50,000 people because when you were among Petty and his band of musicians, you were indeed among friends. 

Sometimes, we take our friends for granted. Not for any real reasons or intent. Sometimes it just happens. But, oh when we do realize the value that we have been so fortunate to have received through the gift of a friend, how do we treasure that person as never before. Tom Petty is indeed that friend to me, a person who was 100% with me from the very start. 
Early in the morning on the very day that Tom Petty passed away, I had a doctor's appointment. Through the speakers overhead, Tom Petty and the Heartbreakers' "The Waiting" piped into the room as I was indeed waiting for my session to begin. In those moments, there was no way to know how this very day would turn out for myself or Petty of course. I just reveled in the fact that I was again hearing this song, this incredible, indestructible song and it worked as blissfully as it had the very first time that I had heard it.

Since his passing, the glory of "The Waiting" has revealed itself to me in a startling new way. Just look at these lyrics...words that we all know by heart:

"Oh baby, don't it feel like Heaven right now
Don't it feel like something from a dream
Yeah, I've never known nothing quite like this 
Don't it feel like tonight might never be again
Baby, we know better than to try and pretend..."

Let's stop right there for a moment, shall we. Just read and sign them again to yourselves. Right now, those words are not just an urgent representation of teenage romance and the skyrockets of first love. For how rock and roll those words are, right now, I read them and I feel they are designed to echo nothing less than the poetry of Robert Herrick, for those words, merged with the music, create a "Gather ye rosebuds while ye may/Carpe Diem" moment if there ever was one.

And then, in the song's bridge, we hear Petty sing the following:

"Oh, don't let it kill you baby
Don't let it get to you
Don't let 'em kill you baby
Don't let it get to you
I'll be your breathin' heart, I'll be your cryin' fool
Don't let this go too far
Don't let it get to you..."

If those words do not signify the entirety of Tom Petty's musical legacy and the words he expressed time and again to himself, as well as to all of us, then I do not know what else could be more representative.

Tom Petty is, and will forever be, a treasure to the culture of American music and to music itself as an art form. He was a true believer in the truth and power of rock and roll and I will be eternally grateful for every single lyric and every single note he wrote, recorded and performed. Never will I be able to thank him enough for all he has given to me. So, at the very least, I will listen, share and rejoice with the legacy he has left behind, even as it brings me to tears right now.

"Music is probably the only real magic I have encountered in my life. There's not some trick involved with it. It's pure and it's real. It moves, it heals, it communicates and does all these incredible things."
-TOM PETTY


TOM PETTY
OCTOBER 20, 1950-OCTOBER 2, 2017
REST IN POWER

WSPC'S SESSION NOTES OCTOBER 2017

FROM THE DJ'S STUDIO DESK:




PLAY LOUD!!!!!!!!!!

Saturday, September 30, 2017

WSPC PLAYLIST SEPTEMBER 2017

September 1, 2017
"September Song" performed by Lindsey Buckingham
"Strange" performed by R.E.M.
"other voices" performed by LCD Soundsystem-WSPC PREMIERE
"Un-Reborn Again" performed by Queens Of The Stone Age-WSPC PREMIERE
"September Song" performed by Lou Reed

September 2, 2017
"Saturdays" performed by Cut Copy

"Money" performed by Andre Cymone-WSPC PREMIERE
"John Henry" performed by Billy Preston
"Finding The Bomb" performed by The Dust Brothers
"Hitchhiker" performed by Neil Young-WSPC PREMIERE
"Powderfinger" performed by The Cowboy Junkies
"Rubberband Girl" performed by Kate Bush

September 3, 2017
"Xenophobia" (live) performed by Prince
WALTER BECKER
FEBRUARY 20, 1950-SEPTEMBER 3, 2017
all songs performed by Steely Dan
"Turn That Heartbeat Over Again"
"Your Gold Teeth"
"Deacon Blues"
"Pretzel Logic"
"Reelin' In The Years"
"Here At The Western World"
"Any Major Dude Will Tell You"
"Haitian Divorce"
"FM"

September 4, 2017
"One More Day (No Word)" performed by Todd Rundgren
"Jackie Blue" performed by Ozark Mountain Daredevils
"Couldn't Get It Right" performed by Climax Blues Band

"Keep On Working" performed by Pete Townshend
"Work The Do" performed by The Isley Brothers
"Let's Work" (live 1982) performed by Prince
"I Go To Work" performed by Kool Moe Dee
"Dirty Work" performed by Steely Dan

September 5, 2017
"Here We Go" performed by Jon Brion

"School Days" performed by Chuck Berry
"What A Wonderful World" performed by Sam Cooke
"Steve Vai Boyfriend" (live) performed by The German Art Students
"Chemistry" performed by Rush
"Teacher, Teacher" performed by Rockpile
"Rock N' Roll High School Forever" performed by The Pursuit Of Happiness

"The Millionaire's Waltz" performed by Queen

September 7, 2017
"Air" composed by Bach
"Party Up (Up In Here)" performed by DMX
"The Line" performed by Foo Fighters-WSPC PREMIERE
"Up The Creek" performed by Tori Amos-WSPC PREMIERE
"Hideaway" performed by Queens Of The Stone Age-WSPC PREMIERE

September 8, 2017
"Growing Pains" performed by Tim Finn

"Friday Street" (live) performed by Paul Weller
"Friday's Child" performed by Nancy Sinatra
"Friday On My Mind" performed by David Bowie
"Friday Night" performed by The Darkness
"This Is How We Do It" performed by Montell Jordan

September 9, 2017
"How Do You Sleep?" performed by John Lennon
"how do you sleep?" performed by LCD Soundsystem
"Mike Mills" performed by Air
"One Of These Days" (live at Pompeii 2016) performed by David Gilmour
"All You Can Carry" performed by Tom Petty and the Heartbreakers
'Ridin' The Storm Out" performed by REO Speedwagon

September 10, 2017
"You're The Best Thing About Me" performed by U2-WSPC PREMIERE

"Six Different Ways" performed by The Cure
"Man Of War" performed by Radiohead-WSPC PREMIERE
"Up All Night" performed by Beck-WSPC PREMIERE
"The Mark Has Been Made" performed by Nine Inch Nails

September 11, 2017
"A Wall In NYC" performed by Todd Rundgren
"Flying" performed by Living Colour
"The Rising" performed by Bruce Springsteen

September 12, 2017
"I Can't Quit You Babe" (live) performed by Led Zeppelin
"Cocaine" (live) performed by Eric Clapton
"Tom Sawyer" performed by Rush
"Bonin' In The Boneyard" performed by Fishbone
"Never Gonna Give You Up" performed by Barry White
"Towers Of London" performed by XTC
GRANT HART
MARCH 18, 1961-SEPTEMBER 13, 2017
September 14, 2017
"All Of My Senses" performed by Grant Hart
Grant Hart FULL PERFORMANCE (LIVE ON KEXP 2011)
"2541" performed by Grant Hart
"Morningstar" performed by Grant Hart
"Pink Turns To Blue' performed by Husker Du

September 15, 2017
"Take Control" performed by Weezer
"La Dee Da" performed by Foo Fighters-WSPC PREMIERE
"Women" performed by Def Leppard
"I'm A Bad Man" performed by Juicy Bananas
"Blue Eyes Crying In The Rain" performed by Harry Dean Stanton (R.I.P.)

September 16, 2017
"Nucleus/Day After Day" performed by The Alan Parsons Project

"New Feeling" performed by Talking Heads
"Rock N' Roll Love Affair' performed by Prince
"In The Black" performed by Lenny Kravitz
"Dreaming" performed by Blondie
"Still Breathing" performed by Green Day

September 17, 2017
"Mother" performed by John Lennon
"Mother" performed by Pink Floyd
"Mother" performed by Natalie Maines
"Mother" performed by Tori Amos
"Mother" performed by The Police

September 18, 2017
"Black Lives Matter" performed by Andre Cymone

"Beach Boys" performed by Weezer-WSPC PREMIERE
"The Gate" performed by Bjork-WSPC PREMIERE
"Wilderness" (live on KEXP) performed by Explosions In The Sky

September 19, 2017
"Coming Your Way" performed by Fleetwood Mac
"Why Was It So Easy" performed by Daryl Hall
"If There Is Something" performed by Roxy Music
"Baby's On Fire" performed by Brian Eno

"Who Knows" performed by Jimi Hendrix

September 21, 2017
"Tear Down The Grey Skies" performed by Tangerine Dream-WSPC PREMIERE

"? (Modern Industry)" performed by Fishbone
"Serve The Servants" performed by Nirvana
"That Wave" performed by XTC
"Greyhounds" performed by De La Soul
"Why Didn't You Say That?" performed by The Lemon Twigs-WSPC PREMIERE

September 22, 2017
"Too Hot" performed by Kool and the Gang
"The Chain" (live on KEXP) performed by Reignwolf
"Lovin' You Baby" (live on KEXP) performed by Charles Bradley
"Who's That" performed by Living Colour-WSPC PREMIERE
"Lavender" performed by BADBADNOTGOOD featuring Kaytranada

September 23, 2017
"Rosalita" (live) performed by Bruce Springsteen and the E Street Band
"Mind Power" performed by JAMES BROWN
"Program" performed by Living Colour-WSPC PREMIERE
"Zimzallabim" performed by Mos Def
"Walk Us Uptown" (live) performed by Elvis Costello and The Roots

September 25, 2017
"Johnee Jingo" performed by Todd Rundgren

"Private Eyes" performed by Hall and Oates
"Heartbeat" performed by King Crimson
"Lucy September" performed by The Dream Academy
"The Working Hour" performed by Tears For Fears
"Natural's Not In It" performed by Gang Of Four

September 26, 2017
"I Want You (She's Sop Heavy)" performed by The Beatles

"Sick Again" (live) performed by Led Zeppelin
"Fever Broke" (live) performed by Todd Rundgren

September 27, 2017
"I Keep Forgetting" performed by Michael McDonald
"Baker Street" performed by Gerry Rafferty
"Baker Street" performed by Foo Fighters

"B.B.D. (I Thought It Was Me)" performed by Bell Biv Devoe
"Butter" performed by A Tribe Called Quest
"Yassassin (Turkish For: Long Live)" performed by David Bowie
"Dinner With Dolores" performed by Prince

September 28, 2017
"The Playboy Mansion" performed by U2

"Jimmy Mack" performed by Martha and the Vandellas
"As" performed by Stevie Wonder
"You Might Recall" performed by Genesis
"Come Dancing" performed by Jeff Beck
"The Headmaster Ritual" performed by The Smiths

September 29, 2017
"Cold Roses" performed by Ryan Adams and the Cardinals
"The Stranger" performed by Billy Joel
"Aja" performed by Steely Dan
"Black Maria" performed by Todd Rundgren
"Everyone" performed by Post Social
"The Spaniards" performed by William Patrick Corgan-WSPC PREMIERE

September 30, 2017
"Bluebirds Over The Mountain" performed by Robert Plant-WSPC PREMIERE
"Talk Of The Town" performed by Pretenders
"Silver String" performed by James Iha
"House In The Woods" performed by Tom Petty
"September" performed by Ryan Adams and the Cardinals